It’s been a big publishing week for me! I'm giddy and exhausted, excited and also sad, insofar as I'm writing a lot about events that I lament. Here are the links:
In case you missed it, my article about my pastor’s suspension, in The Mennonite: Love is a verb, not a suspension.
An op-ed I wrote about the same situation, this one aimed at a general audience, over on Religion News Service.
The RNS article was republished by Sojourners.
And finally, a short piece about Lucy Knisley for Words & Spirit.
This is probably a good time to alert my readers to some changes to my Patreon page. Check it out here. If you don’t know what Patreon is, you’re in luck, because there are some links below that will explain. Some people think of it as a subscription, others as a sort of online "tip jar." One thing I’m noticing with Patreon, though, is that people hesitate because they still seem to think they need to subscribe at a high rate, maybe because they’re used to giving larger one-time amounts to Kickstarter style campaigns, or maybe because we assume that for artists to be paid art has to be “expensive” somehow. These are just guesses, but in any case, with Patreon, you really, really don’t have to pledge a lot. My Patreon is set up as a monthly subscription. It’s a little at a time, over a long time (the kind of time it takes to make art, incidentally). Personally, I subscribe to several writers I like on Patreon at the $1 level, because that’s what I can afford right now. But if a writer has hundreds or even thousands of readers at the $1/month or $5/month level, they can make big steps toward making a living by making art. It’s pretty simple.
What I’ve been reading:
How do artists make a living? An ongoing, almost impossible quest, by Monica Byrne (who is also on Patreon writing brilliant fiction, here).
On the flip side, here’s a Jacobin article about the issues with crowdfunding. Yes, I realize it seems weird for me to share this article while also saying, “Hey! Subscribe to my Patreon!” I'm nothing if not nuanced, eh? Ultimately, I want to see both the economy and the publishing industry completely revolutionized. But that won’t happen next week, next year, or maybe even in the next decade, unfortunately. (Call me cynical, but really, can you make an argument that I’m wrong about that?) So Patreon just makes sense. I mean, really, HOW is it acceptable for well-known publications to just not pay their writers? Writing is labor, and these publications don't exist without us, yet the choice is often write for free, or don't get published at all. We're screwed, over and over again. So, I'm slowly realizing that I'd rather write for small publications and crowdfund than write for big publishers who could pay me but won't.
99 Stories of God by Joy Williams. Yes, indeed, it’s summer and I’m reading a book. I’ll be reviewing this one for the Englewood Review of Books. Look for that in the next print issue.
What I've been listening to:
This week's Book Riot podcast: I listen to this podcast every week, but I particularly recommend this episode because it includes a nice breakdown of what Patreon is and why it matters for mid-career writers in particular.
Nicole Cliffe talking about her conversion to Christianity. I adore Nicole Cliffe, and was super confused when one day she started tweeting about looking for a church. I thought she was an atheist! Well, turns out she was, and then things got interesting. Hear her tell the story on this podcast. It made me cry, in a good way.